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I Spritzed Your Perfume and it was Salinated by Vriddhi Vinay

  • 20 hours ago
  • 2 min read

It was you and I in that definitive basin of tea leaves, stew of hot garbage juice slugs its tail and slurps the earth

wet in two chambers of its heart                       In this one

like Band-Aids and used duct tape pasted like a tongue

on our gooey calves like pepper kisses                       the shimmy of light on its aqueous arms

like crumpled foils                   in the other we clog one of its arteries in a cerulean

that hunchbacks grayscale under the scent of stroked flesh

odious like the ocean of lover’s tea over                     I won’t tell you

 

about the times I tried to drown myself over                           that whenever I cough

it still splats wet in the fleshy tunnel it occupies                    only that in the same space

lives my breath and                               every kind word I have left for you                Once

I was laying on my stomach                  the sun kissing down the column of my spine

and cupping hands around my ass like it was holding fresh fruit

In the red film born behind my eyelids and the floaters that             follow my gaze

like the wrinkled heatwaves of your planet                I looked around realized I saw no one

 

That night I wore the smell                 of you still home                     sea salt and something

else, and smelled the same thing when I began to cough for the rest of my life

I wear it to bed at night fishy              This story feels better if I misremember it as a perfume

and my kindness as phlegm                  and the sea as noxious instead of me

Fatimah Asghar in peach dress holds yellow rose, sitting amid vibrant flowers. Star earrings, henna tattoos, and ornate drapery create an artistic mood.

VRIDDHI VINAY is a Brooklyn-based writer and researcher who explores the intersection of sexual reclamation, radical survivorship, community between South Asian women, queerness, and memory. They study the intersection of immigration and intimate-partner violence as a student at the CUNY Graduate Center. The ethos of their work surrounds highlighting braveness, archive-keeping, and the surreal. Their work has appeared in Artblog Philadelphia, MUNDI Academic Journal, Kweli Journal, Tilted House, Cosmonauts Avenue, Apiary Magazine, Peach Fuzz, and The Inklette Magazine.


 
 
 

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